Posts Tagged The Witcher 2
There’s a brief, computer-generated video that plays after The Witcher 2: Assassins of Kings‘ credits have finished rolling. In it, a rural man collects wood in a forest glen. He spots a rabbit hopping through the brush and following a (much appreciated) fade to black he heads back home with the now-dead animal hanging from his belt. As the man starts to cross a wooden bridge he hears the thunder of approaching horse hooves, and a group of mounted knights in black armour ride pass him. The man hurries onward to his village only to find it burning and a sea of troops marching toward it from across a river valley. The game pulls out from the scene to show a map of the area and the sweep forward of the invading Nilfgaardian Empire’s army. Coloured a menacing black, the Empire’s borders extend upward to swallow the regions to the north of it, shading their multicoloured nations with darkness.
This moment sounds innocuous outside of the context of the game–it’s one fantasy nation taking over another. Those who have played through the previous twenty-odd hours of The Witcher 2 and invested in its fiction are more likely to understand the dramatic import of the moment, though. Players who think back on the history of Poland–the home of CD Projekt RED, the game’s developer–may react even more strongly.
There’s a healthy amount of debate occurring in games criticism right now about how far the concept of gamification* should be implemented into our daily lives. It’s a rich topic that is as much about human psychology as it is about videogame theory — and one that much smarter people than I have already spent a lot of time intelligently discussing.
I’d rather try to look at it in a different way.
Not very long ago, sex was one of the big taboos in mainstream games. Although hyper-violent titles were slapped with an M rating and sent on their way to be readily devoured by audiences, trying to implement sex was frowned upon in general. This isn’t surprising. The North American entertainment model has always been quicker to accept violent content than sexual material, and videogames, a younger medium, have unfortunately followed suit. But as the main demographic of game players has moved away from kids and teenagers to a wider audience made up of varying age groups, the viability of sex as a game element has grown. This is just fine — except, sex in games still isn’t being handled properly.